In 2024, Saxo Bank launched a global campaign to guide investors through the complexities of the U.S. presidential election.
The campaign’s visual identity featured minimalist designs centered around the American flag, consistently applied across all media and animations.
This cohesive aesthetic reinforced our commitment to providing clear and insightful analysis during this pivotal period.
In my job as a designer at Saxo Bank since February 2023, I oversee the global Corporate Visual Identity (CVI) to ensure a cohesive visual direction.
Creating design manuals and updating the CVI for social media, video, web, print, and more.
Additionally, I developed a clear, consistent illustration style for graphs and infographics, maintaining Saxo Bank’s brand integrity worldwide.
Contemporary poster design for Energiforum Denmark that uses real-world textures like wood and marble to reinforce the environmental theme and highlight sustainability in the building sector.
Customer WE BUILD DENMARK – Energiforum Danmark.
In 2024 i developed a new illustration style for Saxo Bank to complement its Corporate Visual Identity. With minimalist shapes and vivid color surfaces, the style is designed for lightweight performance across diverse platforms and media.
It enhances the bank’s modern, professional image, reflecting financial dynamism and ensuring visual consistency. This approach reinforces Saxo Bank’s identity as a forward-thinking, reliable institution.
In 2022 I illustrated and designed this 90 page publication about energy management of buildings in the public sector.
The publication was part of a collaboration between a large group of danish municipalities.The goal was to deliver a clear overview over the field of data driven energy optimization of buildings and outline how it can be implemented into the public sector.
This show reel showcases my design journey, highlighting how I create simple, impactful designs with or without advanced technology. It captures my process from research to execution, emphasizing clarity and elegance.
Watch it here.
Created this extensive icon set for the danish TV Channel “TV 2 Lorry” in 2018.
There are around 500 and they are publiched under the CC CY-SA 4.0 Creative Commons licence. They can all be downloaded and used in any project as long as you mention TV 2 Lorry.
Download icon set here.
10″ vinyl cover for my own music project The Many Worlds Interpretations. The artwork is part of an earlier project i made for Copenhagen Architecture Festival. The artwork is a reinterpretation of the Eiffel Tower. Photography by Sujato Louisa Wassileffsky.
I was commissioned as an illustrator to create a bunch of illustrations for a publication about online radicalization by DFI (Danish Film Institute). They liked my simplistic and sometimes witty approach and I was somewhat free to do what wanted.
Made the overall design and concept for the revamp of Signe Moldes quiz show on DR2.
The design process for the TV show “Quizzen med Signe Molde” was deeply inspired by the aesthetics of Las Vegas in the 1930s and 1950s, focusing on the glitz and glamor of classic showbiz. Central to this design were neon light tubes, reminiscent of the iconic light signs that illuminate the streets of Las Vegas.
Typography centric design package for the TV program “Historie Quizzen”, Danmarks Radio (Danish Broadcasting Coorporation). The program is a history quiz / gameshow where the participants need to guess specific facts from various periods in history.
Check out and appreciate the case on behance here.
Designed the overall visual identity for DR‘s coverage of the danish local election 2017. The idea was pretty basic. Take all the colors of the different political parties and squeeze them together.
It was a big task to undertake because it involved so many platforms, people and different parts of the organisation. I created the overall design guide which was implemented all across and served as a visual tool for everybody involved with the project. It was executed “pretty much” as intended and was for me a study in how design guides can affect the workflow in big media corporations.
DR Design case here
In collaboration with Christian Rahbek Olsen
Made this visual identity for the gallery Petri Artspace
The basic concept is the eye of the beholder and revolves around different ways of looking.
See it and appriciate it on Behance here
Redesigned the youSee logo while working for Kontrapunkt. I worked as a freelancer in a small team cocking up a couple of pitches for the new TDC visual identity. They had an old web 2.0 (funny) logo approach and wanted to be more serious. The initial logo was created using the Helvetica knockoff typeface Swiss 721 and we changed that to Helvetica Neue and basically just wrote it on one line with some kerning.
Designed and animated visuals for the EliteForsk conference held at Glyptoteket in Copenhagen 2016. The identity is designed by Kontrapunkt and they asked me to come up with a solution that could be used as background and idle visuals for the conference.
Designed the overall motion identity for DSB as an extension of the already designed visual identity by Kontrapunkt
The basic principles are parallax, tunnel-zoom and mechanical movement. All three concepts taken from trains and the experience of riding them.
I created the overall illustrationstyle and guide for the most viewed danish news program TV-Avisen as a part of a redesign.
The illustration style is simple and easy to work with but with certain characteristics. Many of the shapes are geometric but the style allows for a certain level of creative freedom. In the many tests and sketches i made i explored more rigorous geometric directions but it would be harder to implement in a large organisation with various graphic designers, illustrators and producers on different creative levels. The illustrated objects could also easily lose some of their characteristics in an oversimplified style.
You can check out the TVA design case here.
I created this micro identity for the danish organisation of free choreographers.
The identity is build around two things. The triangle as a fundamental visual building block and flocking, one of natures own form of selforganising choreography. The illustrations are solely constructed with triangles which gives a distinct and easily recognisable look.
Flocking is the movement of large groups of animals such as birds or fish in a big flock. It can be emulated with a rather simple algorithm which has been used to generate the moving triangles on their website and in visuals, animation, print etc.
Redesign of TV 2 Lorry, a local TV Channel in Copenhagen metropolitan area with around 2.4 million inhabitants.
You can read more about the case here at behance.
Designed various printed material for the TV channel DRK when working for DR‘s inhouse design department.
I designed the visual identity in 2011 for Wundegrund, the experimental music festival in Copenhagen.
I made a logotype, webdesign, print, illustration etc.
The concept and idea behind the identity is a hole in the ground where exiting stuff pops out off.
If you like it, please appreciate on behance.
Made this cover for SPEkTR’s single “Rubber Souls For Sale” in collaboration with their drummer Karsten Garner.
Except for the colours, it’s a completely unmodified photo without any 3D or photoshop trickery!
We build the structure with his kid’s bricks and set the light so it looks like the red brick is hovering.
If you like it, please appreciate on behance.
Logo animation and title sequence for the famous danish film production company Tool Box Film. Watch it here
Made the name and this logo for a danish restaurant art project. www.resturang.dk
Made this micro identity in 2010 for Lydwerk, a danish alternative radio community project. It was before the podcast-tsunami hit the mainstream. Then it was still a playground with a lot of experimentation and without corporate attention. It was run by some very nice, young and talented radio people who still active in the podcasts / alternative radio field today.
Radio ppl: Lucia Odoom, Jan Stricker
In 2010 I performed with musician Jæver Jæv in the Danish Royal Library. It was a massive project with 12 channel soundscapes and algorithmic visuals on 18 projectors. I programmed all the visuals in processing and hooked it up to a bunch of midi devices i used to control the visuals with.
Watch them here.
Designed this fantastic EP by Jæwer Jæv. The sleeve is a poster folded together. It consits of six machines that resembles each song on the album. It took some thinking and collaboration to find out how the tracks looks like.
You can buy it at dokbot.bandcamp.com or in Soundstation, Copenhagen
In 2010 i designed the visual identity for the danish indie radioshow “Det Elektriske Barometer” in english, “The Electric Barometric”.
I made a typeface, posters, viauls and various print and online material.
In 2010, I created the intro for a Lady Gaga program on Danish Broadcasting Network (DR). This was part of a comprehensive design concept that included breakers, name tags, outro credits etc.
I made the initial idea as well as designed, and produced the entire project. It was a pleasure collaborating with an amazing photographer, a fantastic stylist, and a patient model.
Watch it here
